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PRESENTATION
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Lorenzaccio d’après Lorenzaccio de Musset
Photo Marc Domage |
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In 2009, Gwénaël Morin and a fixed team of five actors (Fanny de Chaillé, Grégoire Monsaingeon, Stéphanie Beghain, Barbara Jung, Julian Eggerickx) will bring a permanent theater to the Laboratoires for an entire year. The idea is to develop an artistic tool for theatrical affirmation and intensification. The experiment is based on a sense of urgency and energy that make it political not only from a creative, collective point of view - but also from the point of view of inventing new relations with a place, an environment, and an audience.
The Permanent Theater hinges on three lines of work.
3 LINES OF WORK
A play a night
Performances take place on the first 24 evenings of every month (except Sunday and Monday).
The company will put up a new play at the Laboratoires every two months starting with a revival of Lorenzaccio d'après Lorenzaccio by Musset, followed by five other adaptations of eponymous plays, all very well-known and in the public domain.
The end of every month will alternate between periods of vacation and periods of intensive rehearsal.
Rehearse every day
Every afternoon, the company will rehearse a play, which, after two months, will replace the play then in production.
Continuous Education
Every morning, during a workshop open to the public, an actor from the ensemble will teach a part from the evening performances to an amateur.
6 PLAYS
Après Les Justes - Last Play of a trilogy on desire begun with Mademoiselle Julie and Comédie Sans Titre - Gwénaël Morin decided to produce a series of theatrical texts whose titles are also the names of their main characters.
He named the series, "Theater of Responsibility"
Lorenzaccio from Lorensaccio by Musset
Tartuffe from Tartuffe by Molière
Hamlet from Hamlet by Shakespeare
Bérénice from Bérénice by Racine
Antigone from Antigone by Sophocles
Woyzeck from Woyzeck by Buchner
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Le
Théâtre Permanent est produit par la Compagnie Gwénaël Morin et Les
Laboratoires d’Aubervilliers Avec le soutien du Conseil général de la
Seine-Saint-Denis (aide à la résidence) Avec, pour Lorenzaccio d’après
Lorenzaccio de Musset, le Théâtre du Point du Jour / Lyon et le Théâtre
Jean Vilar, scène Rhône-Alpes / Bougoin Jallieu Avec, pour Tartuffe
d'après Tartuffe de Molière, le Théâtre du Point du Jour / Lyon. Avec,
pour Bérénice d’après Bérénice de Racine, le Théâtre du Point du Jour
/Lyon et le soutien d’Arcadi (aide à la coproduction) Avec, pour les
Ateliers de transmission, le soutien du Conseil régional
d'Île-de-France (Animation Sociale des Quartiers) et du Contrat Urbain
de Cohésion Sociale d’Aubervilliers / ACSE . La Compagnie Gwénaël Morin
est soutenue par le Ministère de la Culture et de la Communication
(DRAC Rhône-Alpes), la Région Rhône-Alpes et la Ville de Lyon
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