Érik Bullot is a filmmaker and theorist. Author of numerous films between artist’s film and experimental cinema, he has recently published Le Film et son double. Boniment, ventriloquie, performativité (Genève, Mamco, 2017) and directed the collective book Du film performatif (it : éditions, 2018). His filmography has more than twenty titles, including le Singe de la lumière (2002), Glossolalie (2005), Trois faces (2007), L’Alliance (2010), la Révolution de l’alphabet (2014), Traité d’optique (2017), Nouveau Manuel de l’oiseleur (2017). His work has been featured in numerous festivals and museums, as notably the Jeu de Paume (Paris), Centre Georges Pompidou (Paris), Biennale de l’image en mouvement (Geneva), CCCB (Barcelona), Enana Marrón (Madrid), New Museum (New York). He was visiting professor at the University of New York at Buffalo (2009-2011) and at the CIA (Centro de Investigaciones Artísticas) in Buenos Aires in 2013. He teaches film at the Ecole Nationale Supérieure d’Art de Bourges and directs the post-graduate Document et art contemporain at the European School of the image (Poitiers-Angoulême).