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  • For the second gathering of the Nocturnal Committee, summoning the tutelary spirits of Jacques Rivette and Chantal Akerman, Silvia Maglioni & Graeme Thomson invite you to join them in an all-night-long experiment in collective hypnagogic vision, plunging into the infra-dimension of the cinematographic image. The meeting will end at dawn with a breakfast offered by Les Laboratoires d'Aubervilliers.



  • CONVERSATION I.

    common infra/ctions

    As part of their residency at Les Laboratoires d'Aubervilliers, Silvia Maglioni and Graeme Thomson will propose a series of conversations with different persons. Each of these conversations will draw new lines to their work and to the rhizomatic way in which research feeds their work, to the plurality of their field of attention and the importance of the extent of the infra. CONVERSATION I with Mathilde Villeneuve, Graeme Thomson and Silvia Maglioni: playing (in the) Dark Matter Cinema.

  • Presentation

    Bibliothèque des Laboratoires

    Since opening in 2001, Les Laboratoires d’Aubervilliers have gradually built up a specialised, singular collection of contemporary art books. Les Laboratoires pay special attention to documenting and archiving the projects carried out at the centre, and over the years they have put together an invaluable resource which serves as a testament to artistic creation in today’s international context. The Bibliothèque des Laboratoires d’Aubervilliers is open for public from monday to friday from 11 am to 5:30 pm or by appointment and the library catalogue can be accessed on the website.



  • "Du film performatif"

    Le film et son double

    Suite à la parution dans le dernier Journal des Laboratoires, d'un ensemble de textes et entretiens proposés par Erik Bullot, autour du cycle Le Film et son double programmé aux Laboratoires entre avril et décembre 2015, nous sommes ravis de mettre en ligne ces textes sur le site des Laboratoires. Cet ensemble critique répond au souhait des Laboratoires d'offrir un espace de réflexion sur ces questions d'émergence de nouveaux formats. L'article Du film performatif d'Erik Bullot s'attache ici à l'analyse des mutations opérés dans le champ cinématographique, au croisement de la performance et de la conférence, et tente d'en proposer une définition.