Ines, car elle mérite les Laboratoires d’Aubervilliers (Ines, because she deserves Les Laboratoires d’Aubervilliers): Ines has two merits. The first was at the Palais de Tokyo, in February 2013, a presentation as part of the ESSAIS open school master class, directed by Emmanuelle Huynh. The second was at the end of this, at the Centre National de Danse Contemporaine d’Angers. Now, Ines is coming to les Laboratoires d’Aubervilliers and presenting her own twists as part of DEsFIGURES TOXIQUES. For the fifth time, Ines will attempt to belong, enter, pass, be absorbed, be included. She is often identified as being the representative of a people. She is the reason for a great celebration to which she is never invited. Ines is never finished. To be part of the reality show she would like to participate in, she makes herself over, recasts herself, she disperses herself, she swells, she warms up. She does everything to make herself visible, understandable, accessible, palpable. I truly wish that Ines could be here with us tonight. I invited her, I wrote to her, I called her, but she never answered. I decided to come anyway and offer this evening’s entertainment to Ines, poor thing.
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Choreography and interpretation: Volmir Cordeiro // Artistic collaboration: Anne Lise Le Gac // Last: 25’
Image: Fernanda Tafner